
I wanted to use as much of this yarn as possible, however, when I held the sock up to my leg, it looked like it was going to hit my leg at the bottom of my calf. So, I chose a hem top instead of a straight up cast off to avoid any calf shaping. Plus, I personally think it's more stretchy than a traditional cast off. Finally, this allowed me to guarantee the sock would end with a brown stripe. I was concerned about the sock looking too yellow since it ended up so bright. I think it turned out nicely balanced.
So what's with the pint glass? So glad you asked! I've sewn a hem top once before on one of my Carbonite Socks and it was kind of a bitch to do holding such a floppy material in my hands. Inspiration struck about a week ago when I realized that a pint glass was about the right diameter to hold the sock open enough to see the stitches as well as a hard surface to use the needle against.



Finally, I leave you with an Ode on a Grecian Sock Urn. :-)
*I ended up using this tutorial to work an afterthought heel, which worked SO much better than simply working another 'toe' for a heel. I guess I have fat ankles. The first attempt resulted in a sock that was stretched so tightly, I was afraid my skin would start oozing through the stitches like play-doh.
**She doesn't explicitly explain sewing shut live stitches, but the concept is the same.